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| Traditional Art / Paintings / Surreal | ©2011-2012 =agnes-cecile |
When you look at me in the flesh, and when you look at me and there is no one.
old stuff
ink, watercolor and pen on paper
45cm x 30cm
EDIT: SOLD
other originals for sale
love 19
19
|
joy 3
3
|
wow 12
12
|
mad 0
0
|
sad 1
1
|
fear 0
0
|
neutral 0
0
|
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Deviousness `TimberClipse's dedication to our community is without question. From developing helpful tutorials, to being a community leader in groups such as #fella and #deviant365, you can always find Zev connecting with all areas of our community in order to spread his infectious enthusiasm and inspiring positivity. We are delighted to bestow the Deviousness Award for May 2012 to `TimberClipse, congratulations! Read More
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Sta.sh
The edginess, and color is breath taking and the exposure is as well.
What captures me the most is the eyes and the hair, is that blood as hair?
I am guessing so since the hair has the 'shine' thats blood has in it.
Your amazing at drawing and all I have to say is that this RIGHT here,
is going on my favorites since it is absolutly amazing, and 'cool' per-say.
I love the color you chose too. But the eyes are what captured me the most though.
The depth of your pieces is stunning. You handle the technique of lines and shading so well that I forget for a while this is a two dimensional painting. Your values and contrasts are strong. The control you had with using limited color while still creating harmony by using the red from the hair in the eyes is breathtaking. There is also a great sense of economy in this piece with the space in the bottom left corner drawing you in to the image. The rule of thirds is well defined. The thing that catches my attention the most once I can get myself away from staring at those wide innocent eyes is the technique you used for the lips. That is a beautiful example of the parallel lines technique being used non-distractingly in small portions of a piece.
I have seen many pieces like this, I have even done a similar one myself (though yours is technically much better). I still think that you hold something unique with your composition and the emotion conveyed in this though. Usually there is much more contrast in the faces; one face is perfectly happy while the other is in a state of sickening rage or complete depression. I feel that I cannot distinguish such drastic comparisons in the faces here. They are more realistic emotions.
As always I think your vision is incredible. You are an inspiration to me as well as many others.
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